About
My practice centres on collection and documentation of experience, memory and the traces of humanity. 
Whilst also working in museum registration and collection management, I often incorporate, yet question, the ethics, administration and aesthetics of museum collecting in my work. 

I use sculptural practices to highlight stories that are not historically collected through institutional means, often working with narratives of queerness and disability. ​

I am interested in textural interactivity as a key component to my work, allowing others to feel and touch my/other's experiences; creating a kinship across peoples. 
Access is embedded from the outset, but also played with as a tool. I may not allow the viewer to access everything by hiding objects or displaying work out of sight; bringing the edges of one's access to attention.

I am increasingly integrating sound and music into my work, using field recordings and traditional folk songs. I enjoy the historical archival arc of folk song to that of queerness - a history that has been passed down through the body as the archive. 

Contact
clayebowler@gmail.com
@clayebowler

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